There is a reason I am able to follow the plotline of most Hollywood movies. I am serious.I do.
For example, say you ask me : "What is the Matrix?"
I can reply without batting an eyelid "The answer is out there Neo and it is looking for you .It will find you if you want it to".
And that feat is possible, my dear netizens, is because I always,always, switch on the subtitles on them DVDs.
If you asked me a similar question about 'The Dark Knight', I am afraid you will get no such illumination from me. Yes I saw the movie in theatre and I am waiting for the DVD to understand it.
Now I pay my dues. I dont expect to follow 'ER' or 'Law and Order' on TV. Too many people talking at the same time and a lot of technical jargon thrown around.It's only fair that big screen and DTS make things easier for me no? But enter Christopher Nolan - "I am sorry.But the movie will have a plot slightly more complicated than King Kong and will be played without subtitles".
My fate is sealed.But I tried.Scout's honour I did.I present the summary of my attempts evidence:
SPOILER ALERT.DONT READ IF YOU HAVE NOT SEEN THE MOVIE.
One hour into the movie, I am still trying to understand what the drug deals are all about.How exactly was Gordon doing it? Clueless.Enter Joker.Ok.Never mind the mafia.They are having trouble selling or maybe buying drugs.But have lot of money.Chinese guy is articulate.Joker ain't bad.Chinese guy is going to store the money and Joker wants Batman.So far so good.
Harvey Dent.Aaron Eckhart.Awesome.
Rachel Dawes.Maggie Whatever.Yawn.
Joker.Heath Ledger.Dead.
Michael Caine is telling a story.This is the crux of what Dark Knight is about.Listen carefully.In Burma there were bandits and diamonds like tangerines.Err..and something about how some men are not logical.I guess he is saying Joker does not care for motives.And there he is burning all that money.Phew! That was close.Damn his accent!
Girlfriends of Super Heroes are such bores. What more do these women want? Super Hero ain't good enough for them?Spidey is emotionally unavailable,SuperMan does not go to his son's football games.Next thing I know they are attending couples therapy instead of fighting crime.Somebody just kill her already.
Heath is so menacing.Poor guy!!He could have atleast died after the movie was released.
OMG! Joker has Harvey and Rachel. This situation would be perfect for a song. Batman flying and singing "Jaane jaan..doondtha phir raha ..hoon tumein ..raath din..tu kahan?" and then Rachel going "Main Yahaaan.." .Instead Harvey and Rachel are doing the Hollywood "I am sorry-I love you-Everything will be alright-I promise you" routine. Somebody kill her..just kill her.
Hey....Batman turns up to save Harvey? Didn't he say he was going to save Rachel? I thought he did.Or did he ask Gordon to get Rachel? Or did Joker deliberately mislead Batman? What the..oops..Rachel is dead.Did they really kill her off ? They should actually kill Kirsten Dunst in Spidey 4.That would be great.Maybe all Superhero girlfriends should be killed.They should have a new heroine everytime like the Bond movies.This story arch with girlfriends is the weakest link in these movies.
Heath in the cops' dress looks like Johnny Depp.If Johnny Depp had died long back,who would have played Jack Sparrow? Who else should have died young?
Gordon is dead.Mayor is dead.
Gordon is not dead. Mayor is not dead.
Who came up with the idea for Batman's voice? Arrghh...
Gosh! What happened to Aaron? Oh! No! No! No! Harvey Two-Face literally.Come on Harvey! Shoot the joker..shoot him.Well, ok.I see your point.Batman has to shoot Joker.Aaron looks so much more cooler than Christian Bale.He should be Batman.Wait! What did Joker tell Aaron? Aww..is he also going to turn bad? What did he say? Somebody..subtitles please.
The nurse touch is good.Very funny.Damn! He is dead.
Michael Cain, "We burned the forest".Finally, I get your accent.You british nincompoop!!! Is Capt.Haddock British?
How did joker manage to place bombs in so many places and co-ordinate? Doesn't he operate alone?
Batmobile.That is the best thing EVER.Do women have testosterone? Kill the Joker and lets go home.
Alright! There is Harvey Two-Face.He would make a good Mummy me thinks.He wants to kill Gordon's boy because he didn't save Rachel? What a load of crap! Is this his motivation to kill a little boy? The white knight becomes the dark knight.So the dark knight is really Harvey?
So Batman accidentally kills a few cops.That is a big deal? Hell, if we had Batman in my country, I woudn't mind if he wiped off the entire force.
THE END.Finally!!!!
Since I have to wait for the DVD, I read the reviews.
Let me clarify a few things for you.I dont want you to be confused like me.
1) Joker is actually chaos.
2) Harvey represents how even good people fall from grace.Hello..Lucifer?
3) Batman struggles with his dark side and HE IS THE DARK KNIGHT.Not Harvey.
4) Batman has always shrank back from killing villains.He only wants to reform them.Read some comics..will you?
5) The movie references the post 9/11 American conscience.
Who? What?Really? When did they do it? Wait for the subtitles.
Monday, July 28, 2008
Tuesday, May 16, 2006
Iruvar - The Duo
The opening credits of the film states ‘THIS IS NOT A TRUE STORY”.
“Right..!”, I chuckled to myself.
IRUVAR – The Duo, traces the lives of MGR and Karunanidhi with the Dravidian political movement as background.
Almost a decade after the movie was released, I decided to watch it.I cant figure out why I had missed a Maniratnam movie for so long.I simply cannot..
All I remember is K,my best friend,crying out “You have not seen Iruvar??!! Come on…”.
I was introduced to Dravidian politics at K’s house. K and I were in 12th standard then, in 1997-98.
K’s parents had lands and her father practiced agriculture.They were Dravidians, I guess in that sense. K’s parents believed in idealogies,took active interest in politics,Tamil,analysed and compared the functioning of leaders and could trace all prominent Tamilnadu politician’s growth in the party.
“Pagutharivu” /Rational thinking ,Self-respect -Dravidian movement’s founding idealogies,Party’s principles,MGR’s legacy etc were frequent dinner time topics.
“If the guy who cleans the sewer was not allowed inside the house, then you should think about the reason behind this! It is because he eats beef and as a result stinks. He does manual work all day.He needs to eat something that would give him strength.That is why he eats meat.And that is the reason he was not allowee inside.You should not blindly brand him an outcast.You should think for yourself!!!!”, K’s mother would cry out passionately.
“Kalignyar is an able administrator.Its not a joke to manage a party of this level.There are the senior party members,well-wishers,party cadres…Everybody should be satisified.Elections are won not by leaders,but by the party cadres.They are the ones who work tirelessly to make sure that the party wins. Only a good leader can motivate them to work for the party...”, K’s father outlined party dynamics for me.
They referred DMK by “Kazhagam”,Karunanidhi as “Kalignyar”,Anabzhagan as “Perasiriyar”(Professor) while talking about them.Discussions were held late into the night about Moopanaar’s indecisiveness,Vai Ko’s departure from DMK(the first time around),Amma’s arrogance.It was a fascinating world – politics and tamil film industry.
Politics was a part and parcel of their way of living unlike ours,a typical middle class brahmin family.It entered our lives only during the annual railway and union budget.Train fares,tax cuts,LPG prices – these were our only ties with politics and occasionally potholes.Dravidian movement had branded us feudal landlords,aryans,sanskrit spouting academics,who had repressed the Dravidians in the name of caste,religious rituals and superstitions.Elections had been won on promises to restore Tamilnadu to Tamilians.
So my parents’ held a “healthy” brahminical contempt and indifference towards Dravidian politics.We looked the other way, read our “HINDU” ,drank filter coffee and continued to vote for the non existant Congress until BJP came along.
A brief flicker of interest was aroused when the convent educated English speaking AMMA came first to power .“Can he string together atleast two words in English like her?? pshaw!!” , the brahmins rubbed their hands and chuckled in unconcealed glee. Alas! It was shortlived. The flicker was snuffed out forever after she implemented 69% reservation.We were better off,before she came,everybody sighed.
Given the background, I am sure you will agree with me when I say that the storyline is highly controvesial and very contemporary. What Maniratnam had undertaken was nothing less than a tight-walk rope over a bed of nails with a knife pointed at his neck,ready to bleed him to death ,if he so much as shook his body slightly. Believe me, I am not exaggerating.
It is with some trepidation then that I started watching “IRUVAR”.But Maniratnam acquits himself in a way,I would have never imagined!
Maniratnam’s “IRUVAR” is the story of two people – a poet and an actor , their friendship ,their dreams and their ambitions.It is just a convenient co-incidence that their lifestory resembles two people from Tamilnadu politics and film indusrty.Nothing more and nothing less!
Anandan, a struggling actor from Kerala and Tamilchelvam, a poet and activist strike a friendship on the sets of Anandan’s first film as a hero.The actor is a fan of the poet. He knows that with the help of the poet’s fiery pen,he can reach the masses like nobody else can! His instinct turns out to be right.He becomes a Star.And no ordinary Star at that! The mass worship the very land he treads on.He himself does not understand the adulation showered on him or realise the power that is all his to grasp!
It is Tamilchelvam who opens Anadan’s eyes to what he has been offered in a brilliantly conceived scene.
Anandan is dragged from his lunch to the terrace by Tamilchelvam.He urges Anandan to go and look. Anandan walks to the edge of the terrace and is puzzled to see a huge crowd, gathered to catch a glimpse of him.Cries of joy erupt from below on seeing him. Tamilchelvam raises Anandan’s hesitant hand aloft to wave and Santosh Sivan’s camera rises along with their hands and looks down at the people who have become putty in those hands.
“This is the power of people.This is what Lenin Stalin and Hitler slogged to attain.The power to reach the masses”, Tamilchelvam points out.
“I am just an actor”, Anandan protests.
“They don’t think like that.They have carved your figure in their hearts.They will even give their life for your sake.What are you going to do with this?”
“What should I do?” ,Anandan does not know.
“You should make use of this.You should increase it thousand fold for the party.Everything depends on your face and the silverscreen “ instructs Tamilchelvam.
As A R Rehman’s brilliant score soars over us, Anandan ever the quick learner, removes his scarf and throws it to the people gathered below, whipping them into a frenzy.
Together they dream of a casteless society without corruption or abuse of power or poverty.They envision a society where power and responsibility go hand in hand and where their Tamil flourishes..
Anandan also later joins the party.Though he is sincere and respects the party principles and leaders, he has joined the party only to further his ambitions as an actor.Tamilchelvam rightly guesses his motive and resents it.He also begins to get jealous of Anandan’s popularity.He tries to block Anandan’s rise in the party by opposing the leader Veluthambi’s(C.N Annadurai) decision to field him in the election
.Later when he is elected as Chief Minister with Anandan’s support, he refuses to make him a minister.
“You can have whatever you want, if you stop acting.It is not my decision.It is the executive committee’s decision”, Tamilchelvam tells Anandan,when Anandan expresses his interest to become the Health minister.
Inspite of this Anandan does not allow his supporters to badmouth Tamilchelvam.But everything crumbles soon after the death of Veluthambi.Anandan asks to see the financial accounts of the party and is expelled from the party.He then launches his own party and rest is history.
Anandan’s popularity keeps him in power for the next decade.None can defeat him.But unexpectedly,Anandan dies in his sleep on the eve of the third election .Anandan’s death causes great pain anguish to Tamilchelvam and the movie ends with a grieving Tamilchelvam,the poet in him reciting a eulogy for his dead friend.
Maniratnam focuses mainly on the relation between the friends,keeping the rest in background.MGR’s populistic schemes,the corruption in both the regimes,the controversial Gupta commision report , the political rhetoric of the parties, their lovelives – all are covered in the passing.Though Kalpana, Jayalalitha’s character, is devoted considerable amount of time.Curiously,she gets killed in an accident.I believe it could be because Maniratnam would have preferred to end the movie with a grieving Tamilchelvam,than with a Kalpana coming to power.After all the movie is about friendship.
Also, the movie is very culture speicifc.It takes for granted that you are aware of certain incidents,facts and the then prevailing political atmosphere making it difficult for outsiders to relate to the movie.But then,it is their loss !!
“IRUVAR’S” casting is nothing short of brilliant,with the exception of ofcourse Aishwarya Rai.She looks breathtakingly beautiful as Anandan’s first wife.But as Kalpana (Jayalalitha supposedly resembles MGR’s dead first wife.So Aishwarya Rai plays both Anandan’s first wife and after her death comes again in the role of Jayalalitha), she is a pain to watch.
Mohan Lal, the malayalee actor is just perfect as Anandan what with MGR himself being a malayalee.
There is this scene with the Police commissioner Nair ,who tells Anandan, the CM then , that Tamilchelvam has been arrested (for protesting against the suppression of the Gupta commision report). The commissioner assures him that Anandan has emerged victorious in the whole mess.
“You call this victory?! “ Anandan asks Nair and momentarily slips into malayalam
“Pazhaya kootukaaranai jailil aakkiyadho?”(Sending my old friend to jail?)..
Brilliant..just brilliant!
Interestingly,Suhasini Maniratnam has penned the dialogues.I would have never guessed she had so much in her.Good job lady!
The struggling actor, the Star, the lover, the friend who feels betrayed , the successful politician – Mohan Lal’s acting brings out all the nuances of his character.
But more than Mohan Lal, it is Prakash Raj as Karunanidhi who is the most impressive.He fits the Dravidian politican role to a tee.He deserved the national award for ‘Best supporting actor’. His tamil diction is impeccable.He is a Kannadiga,mind you! Inspite of that Arvindswamy has lent his voice for Tamilchelvam’s poetry renditions. Mr.Swamy gets the emotions right, but his La-Zha pronounciations, where lies the beauty of Tamil language, makes you wince.It is surprising that nobody bothered to correct it!!!!
Revathi,Tabu,Nasser,Delhi Ganesan,’Nizhalgal’ Ravi, all play their role perfectly.
Since Tamilchelvam is a poet,we get to hear some wonderful tamil poetry, thanks to Vairamuthu.His pennings - be it for the revolutionary tamil hero,whom Anandan plays in the silver screen, or the one for Tamilchelvam’s description of his love for Tabu – do not fail to give you goosebumps.
Maniratnam has undertaken to paint a mammoth canvas,which spans close to four decades…four decades of Tamil movies,politics and life. And succeeds brilliantly. He is aided splendidly in this job by A R Rehman.The 50’s classical based songs,the 60’s MSV-Ramamurthi’s melodies,the 70’s jazz(??) music and the typical MGR fare – everything is provided by ARR with perfection.
Inspite of all this,the movie failed at the box office!!! The reason, I believe is Maniratnam’s Anandan and Tamilchelvam are nothing like the audience’s idea of MGR and Karunanidhi. To sculpt his MGR and Karunanidhi ,he has whittled down all their negative traits and has retained only that was good and pure in them ..Anandan,the ambitious actor,the charmer,the dreamer, the do-gooder and Tamilchelvam , the poet,the socialist,the reformist,the champion for the cause of Tamil – both good friends with a little jealousy and ego between them.
The non-believers would have been irked by the idealism portrayed by the characters, the believers would have been hurt to see that their leaders are not flawless and the ordinary men would have found it difficult to relate to these people,for its true as Mani claims in the beginning - they are fictional!
Yes Mr.Ratnam,I agree with you! Your story is not a true story.For you talk about what could have been,not what was ! It is fictional alright!
********************************************************************************************************
The day before Anandan dies,Tamilchelvam and he, accidentally meet at the marriage of a common friend.Anandan on his own accord walks and sits next to Tamilchelvam.As the photographers start clicking furiously, both sit without exchanging a word, but their heart reverberates with old emotions.As Anandan gets up to leave,he slips and Tamilchelvam immediately leans to catch him.He notices that his friend looks ill.
“Anandan,what is wrong?” , worry creases Tamilchelvam’s forehead.
“Nothing…I am fine”,Anandan smiles.
“Udal mannukku,uyir tamizhukku !!” (The body is for the earth,but life is for Tamil) he jokes, referring to their youth’s passion.Tamilchelvam laughs with him.
“With election round the corner,we cannot be seen smiling thus in public!”,Anandan pats his friend and leaves.
The next day,when Tamilchelvam gets the news he cannot believe it!He rushes to see his friend.But he is asked to wait out, as Anandan’s body is being dressed.A touch of irony here as makeup is being shown applied to the dead Anandan – an actor to the end.
Tamilchelvam is unable to share his pain with anybody there..(Bloody brilliant acting my Prakash Raj here).There is nobody there who can relate to his pain,much less believe him .He tries to ask the yound doctor present there,but words fail him.The Commissioner talks to him about security concerns!! He leaves without seeing his body.
The climax alternates between shots of Anandan’s funeral procession and Tamilchelvam reciting eulogy to his friend in their meeting place of yonder!…
Ennarum thozhane,idayathu nanbane !
Manikka mazhayae,maraindhu vittaya?
Munnoru pozhudil,meesai mulaikkira vayadil,
Or ilayil sorundom..
Oru paayil kan malarndom..
Anda ninaivugalin kanneeril, nenjukuzhi niraikiradhu..
Nam kangal vevveru,kanavugal onrundaan!!
Nam nejnam vevveru, ninaivugal onrudhaan!!
Nam kottaigal vevvru, kozhgaigal onrudhaa!!
Edhilum mundi vara thudikkum munaipullavane..
Saavilum ennai mundi sarithiram ayinayo?
En vetrikku malai thanda karam enge?
En vizhi neerai sunditivitta viral enge?
Kuzhal konda isayaaga konjunginra kural enge?
En muthuvel vasanathai muthamitta uthadu enge?
Ennai oor naal sumandu yetri vandda thol enge?
Ayyago..!!!.
Ini paarkave mattaya nanba?
ELLin munai alavum ippozhudu kasappillai
Pullin nuni alavum ippozhudu pagai illai
Maranathai pola en manathirkku marundillai
Unnodu oru vaarthai pesathaan ninaithen,mudiyavillai
Nalindu vitta udal varudi nalam ketka thudithen,mudiyavillai
Indru un roja poo mugathil muthamida ninaikiren,mudiyavillai
Mutti varum kannerai mudivida ninaikiren,mudiyavillai
Poi vaa nanba poi vaa..
Un pakktahil enakkum oru padukkai virithu vai
Enrenum oru naal un arugil naan varuven
Innoru ponneram ennai thedi vanthaal
Kaalam oru sengolai en kaiyil thandaal
Un kanavum en kanavunm oru pozhudil niraiverum
Un kallarayin kaadhugalil nalla seidhi arangerum!!!!
--------------------------------------------------------------------------
My dear friend,my heartfelt,shower of diamonds,are you gone?
Sometime ago,in our youth,we ate out of the same plate and slept on the same bed,
Those memories wrench my heart
Our eyes are different,but our dreams are alike
Our hearts are different,but our memories are alike
Our fortresses are different,but are ideals are alike
Always seeking to be the best,you had to better me in death too!!
Where are the hands that garlanded me in my victory?
Where is the finger that dried my eyes?
Where is the voice that was my music, the lips that uttered my dialogues?
Where is the shoulder that bore my weight!
Would you never see me again?
I have no bitterness or enmity now
My heart has no medicine like death
I sought to speak one word with you,I couldn't
I sought to enquire after your health,I couldn't
Today, I wish to kiss your rose like face,I can't
I wish to stop my pouring,I can't...
Farewell my friend,Farewell!!!
Save a bed near you for me
Some day I will come to you
If another golden era came my way and the throne be mine..
Your dreams and mine will materialise in the one era
The ears of your tomb will receive the good news..
-------------------------------------------------------------------------------------
Thursday, March 31, 2005
All you, who hate Karan Johar and the likes....
This one is for you.
This is a translation(by me) of the foreword written by Jayakanthan for his short novel "Not because of kindness" ( Kaunayinaal alla). Jaykanthan is a noted tamil writer, who was given the Jnanpith award for 2002 recently.(2002 award is given in 2005!!!!!!). He is 71 now. He won the Sahitya academy award when he was just 38.He is (was) a prolific writer and has written about 40 novels and 200 short stories.
And to think that Jaykanthan is a self taught man!! He ran away from home the age of 12 and lived with his uncle in Madras , who was a communist party member. He has had no formal education after that and lived in the Jansakthi office.Hence the leftist leanings in him.
I believe Jayakanthan was the one who started writing in the local dialect of the people. Earlier all class of people spoke alike in stories, i.e in proper pure tamil. Jaykanthan wrote the way a labourer or a brahmin would speak just as they would speak in real life .
Most of his stories created controversies for their unorthodox-ity(??) .I would like to point out one particular story he wrote in the 60's - "Agni parikshai" (Trial by fire), if I am right. A young brahmin girl on her way home one night, gets raped. When she reaches home and her mom , an orthodox brahmin widow (orthodox to the extent that she has shaved her head and wears the saffron colour saree) realises what has happened she just asks her to take a bath and forget the incident.And the story ends there.(In Tamil culture, "thalai muzhugidradhu" or pouring water on head symbolises renouncing a particular relation/thing. Here the mom is asking her daughter to renounce or put that accident behind her).This short story was published in Ananda Vikatan*(1) and obviously stirred a hornet's nest in those days.
The story was later made into a movie .But in the movie they make the girl meet the guy who rapes her later and fall in love with him and I believe it was not in the same spirit as the story was. Neither have I read the story nor have I seen the movie. But I have seen that particular scene where the mother asks the daughter to take bath. And this was pointed out to me by my mother, while I was flipping channels .She narrated the story too I believe. I am not sure. I was pretty young then , maybe 13 or 14and it always surprises me that my mom chose to point out this to me at that age.But then thats another blog.
Recently spotted a library , which has a good collection of tamil novels and got some Jayakanthan's books to read. His forewords to his novels and short story collections are as interesting to read as his stories themselves. The ideas expressed below are not new to any of us, but I was just impressed that this was written by Jayakanthan in 1965!!! An age when the likes of Shivaji and MGR ruled the roost,the former because of his ability to deliver pages and pages of dialogue with passion non stop and "acting" abilities and the latter who always played larger than life roles on screen.An age when it was noble to suffer , to sacrifice ...
I have tried to translate the foreword to the best of my abilities. If the piece below is lacking in flavor or spirit, its only because of my limitations as a translator and not anything else.
FOREWORD for "Karunayinaal alla" -by D Jayakanthan.
I am writing this short story with the full knowledge that unlike my others published in Ananda Vikatan*(1), this one would not a have roaring welcome. It has become my nature to stir controversy through whatever I write.I liked it too.But lately I have been wanting to develop a approach to writing non-controversial things and also a taste for them. I have written lots of short stories in an effort to do that. "Not because of kindness" (Karunayinaal alla) is because I wanted to write a short novel too in the same genre.
Exaggerated emotions have always disgusted me. When on the rare occasion this has happened to my own writings, without my realisation and because of the influence of the prevalent atmosphere, I have been disgusted with it too.I am saying this cautiously because some might think that anything emotional is exaggerated.
Before deciding that something has been exaggerated, all angles concerning it should be taken into consideration.
An impact of an incident on one would be more or less, depending on the way one views the incident.This level of impact can be understood only if we are capable of putting ones' own self aside and understand that given the social atmosphere,unique past, this character would behave in this fashion only.
This mental state is essential not only for the writer, but for the reader too.
In our current society's art and literary scene,everything is exaggerated.The amount of exaggeration in the reaction to the death of a soldier in war, which has departed form the stain of sadness to celebrating it as a noble sacrifice, would make one think that people might cry for those who have survived the war.
Recently I happened to read a "special" short story written like a Diwali sweet.A mother is crying for her son who has died in the warfront. The father consoles her by saying "Don't cry.Be happy.." and continues to speak along the lines of glorifying death in war and courage.
The presence of such exaggeration in literature would only result in the growth of a dumb-wit trend.This disgusting exaggeration is present in all departments like cinema, drama and stories to the extent of saturation.What is the reason for such a trend? It is because the socity is afflicted with a mental disease called sadism.
Enjoying torturing a man, deliberately exaggerating tendar emotions,rolling a iron rod on the strings of a Veena,repeatedly showing the dead body of a kid which was playing short while ago,making a respected and strong gentleman cry - what are these, if not sadism?
All the above are non-existant in life.If crying is an art, the above mentioned are basic necessities to such a society.These are not abnormal; they are sub-normal - cruel caricatures of emotions lower than the normal day-to-day ones.
The people whom we meet in daily life are not show-cases. 16 years olds are not the only ones who are in love .Those walking hand-in-hand are not college going young girls and boys , shown in movies. I am not gloating that this truth has been discovered by me.It is a truth known to all , experienced by all, yet not known to the writers and readers of today.Neither is it known to the movie makers and movie goers of today. The fact that everybody knows this truth and that it shows the contradictions in our cultural and social life, is realised by me or maybe some people similar to me.
Such a realisation should help develop a taste.That is why Gouri knows that sadness is present in the lonely state of a human,despite having all comforts in life.And also why Mudaliar knows that complications and frustrations can occur not because of others' hate, but because of their kindness too.
Love is not hormones or physical attraction alone. A dignified emotion in our lives has been disgraced by our stories and our attempts at art.As a result of this, love is disgraced in real life too sometimes, infact many a times nowadays.Even insuch a society I have seen people like Gauri and Mudaliar, whome society has made fun off, fall in love.Physical needs is not the basis of human love. It has other basis and reasons like society, economical conditions and manodharma*(2).
Life has not happened beyond the above said reasons.But the stupidity of considering what is art and stories for reasons other than the above mentioned is being nurtured now. As a result some try to put forward an "intelligent" arguement like "How can we enjoy reading or watching the same things which we experience in our day to day life?" These people want to forget this complicated and difficult life by spending a few hours reading and watching something! Art and literature should supply the necessary intoxication is their arguement.This is not even a complete arguement.Even while supplying this intoxication, they want me to wear the masks of culture and heritage and save these people's face.
Yes, life is complicated and full of difficulties.Those people who think these problems are never ending can commit suicide.It would do them good.That they do not think this way really is proven by the fact that they continue to live and read.Because they are scared, they wage some kind of shadow war to escape from themselves.Anyone hwo is living cannot afford to forget life.Instead they should try and understand life. If one wants to understand something, one cannot ignore it and talk about some other thing to understand it.
"The truth, emotions and sentiments which we experience in daily life, but do not understand- I am trying to talk about only those" - If we are able to cultivate an attitude to write and read with this consciousness ,then we can experience something special even in our ordinary and mundane daily activities.
I thank the magazines, publishers wo have helped me in sharing such experiences.
Glossary:
1) Ananda Vikatan - Tamil weekly magazine.
2) Manodharma - (Mano means "of heart".Didnt know a equivalent word. so i ams just reproducing it).
This is a translation(by me) of the foreword written by Jayakanthan for his short novel "Not because of kindness" ( Kaunayinaal alla). Jaykanthan is a noted tamil writer, who was given the Jnanpith award for 2002 recently.(2002 award is given in 2005!!!!!!). He is 71 now. He won the Sahitya academy award when he was just 38.He is (was) a prolific writer and has written about 40 novels and 200 short stories.
And to think that Jaykanthan is a self taught man!! He ran away from home the age of 12 and lived with his uncle in Madras , who was a communist party member. He has had no formal education after that and lived in the Jansakthi office.Hence the leftist leanings in him.
I believe Jayakanthan was the one who started writing in the local dialect of the people. Earlier all class of people spoke alike in stories, i.e in proper pure tamil. Jaykanthan wrote the way a labourer or a brahmin would speak just as they would speak in real life .
Most of his stories created controversies for their unorthodox-ity(??) .I would like to point out one particular story he wrote in the 60's - "Agni parikshai" (Trial by fire), if I am right. A young brahmin girl on her way home one night, gets raped. When she reaches home and her mom , an orthodox brahmin widow (orthodox to the extent that she has shaved her head and wears the saffron colour saree) realises what has happened she just asks her to take a bath and forget the incident.And the story ends there.(In Tamil culture, "thalai muzhugidradhu" or pouring water on head symbolises renouncing a particular relation/thing. Here the mom is asking her daughter to renounce or put that accident behind her).This short story was published in Ananda Vikatan*(1) and obviously stirred a hornet's nest in those days.
The story was later made into a movie .But in the movie they make the girl meet the guy who rapes her later and fall in love with him and I believe it was not in the same spirit as the story was. Neither have I read the story nor have I seen the movie. But I have seen that particular scene where the mother asks the daughter to take bath. And this was pointed out to me by my mother, while I was flipping channels .She narrated the story too I believe. I am not sure. I was pretty young then , maybe 13 or 14and it always surprises me that my mom chose to point out this to me at that age.But then thats another blog.
Recently spotted a library , which has a good collection of tamil novels and got some Jayakanthan's books to read. His forewords to his novels and short story collections are as interesting to read as his stories themselves. The ideas expressed below are not new to any of us, but I was just impressed that this was written by Jayakanthan in 1965!!! An age when the likes of Shivaji and MGR ruled the roost,the former because of his ability to deliver pages and pages of dialogue with passion non stop and "acting" abilities and the latter who always played larger than life roles on screen.An age when it was noble to suffer , to sacrifice ...
I have tried to translate the foreword to the best of my abilities. If the piece below is lacking in flavor or spirit, its only because of my limitations as a translator and not anything else.
FOREWORD for "Karunayinaal alla" -by D Jayakanthan.
I am writing this short story with the full knowledge that unlike my others published in Ananda Vikatan*(1), this one would not a have roaring welcome. It has become my nature to stir controversy through whatever I write.I liked it too.But lately I have been wanting to develop a approach to writing non-controversial things and also a taste for them. I have written lots of short stories in an effort to do that. "Not because of kindness" (Karunayinaal alla) is because I wanted to write a short novel too in the same genre.
Exaggerated emotions have always disgusted me. When on the rare occasion this has happened to my own writings, without my realisation and because of the influence of the prevalent atmosphere, I have been disgusted with it too.I am saying this cautiously because some might think that anything emotional is exaggerated.
Before deciding that something has been exaggerated, all angles concerning it should be taken into consideration.
An impact of an incident on one would be more or less, depending on the way one views the incident.This level of impact can be understood only if we are capable of putting ones' own self aside and understand that given the social atmosphere,unique past, this character would behave in this fashion only.
This mental state is essential not only for the writer, but for the reader too.
In our current society's art and literary scene,everything is exaggerated.The amount of exaggeration in the reaction to the death of a soldier in war, which has departed form the stain of sadness to celebrating it as a noble sacrifice, would make one think that people might cry for those who have survived the war.
Recently I happened to read a "special" short story written like a Diwali sweet.A mother is crying for her son who has died in the warfront. The father consoles her by saying "Don't cry.Be happy.." and continues to speak along the lines of glorifying death in war and courage.
The presence of such exaggeration in literature would only result in the growth of a dumb-wit trend.This disgusting exaggeration is present in all departments like cinema, drama and stories to the extent of saturation.What is the reason for such a trend? It is because the socity is afflicted with a mental disease called sadism.
Enjoying torturing a man, deliberately exaggerating tendar emotions,rolling a iron rod on the strings of a Veena,repeatedly showing the dead body of a kid which was playing short while ago,making a respected and strong gentleman cry - what are these, if not sadism?
All the above are non-existant in life.If crying is an art, the above mentioned are basic necessities to such a society.These are not abnormal; they are sub-normal - cruel caricatures of emotions lower than the normal day-to-day ones.
The people whom we meet in daily life are not show-cases. 16 years olds are not the only ones who are in love .Those walking hand-in-hand are not college going young girls and boys , shown in movies. I am not gloating that this truth has been discovered by me.It is a truth known to all , experienced by all, yet not known to the writers and readers of today.Neither is it known to the movie makers and movie goers of today. The fact that everybody knows this truth and that it shows the contradictions in our cultural and social life, is realised by me or maybe some people similar to me.
Such a realisation should help develop a taste.That is why Gouri knows that sadness is present in the lonely state of a human,despite having all comforts in life.And also why Mudaliar knows that complications and frustrations can occur not because of others' hate, but because of their kindness too.
Love is not hormones or physical attraction alone. A dignified emotion in our lives has been disgraced by our stories and our attempts at art.As a result of this, love is disgraced in real life too sometimes, infact many a times nowadays.Even insuch a society I have seen people like Gauri and Mudaliar, whome society has made fun off, fall in love.Physical needs is not the basis of human love. It has other basis and reasons like society, economical conditions and manodharma*(2).
Life has not happened beyond the above said reasons.But the stupidity of considering what is art and stories for reasons other than the above mentioned is being nurtured now. As a result some try to put forward an "intelligent" arguement like "How can we enjoy reading or watching the same things which we experience in our day to day life?" These people want to forget this complicated and difficult life by spending a few hours reading and watching something! Art and literature should supply the necessary intoxication is their arguement.This is not even a complete arguement.Even while supplying this intoxication, they want me to wear the masks of culture and heritage and save these people's face.
Yes, life is complicated and full of difficulties.Those people who think these problems are never ending can commit suicide.It would do them good.That they do not think this way really is proven by the fact that they continue to live and read.Because they are scared, they wage some kind of shadow war to escape from themselves.Anyone hwo is living cannot afford to forget life.Instead they should try and understand life. If one wants to understand something, one cannot ignore it and talk about some other thing to understand it.
"The truth, emotions and sentiments which we experience in daily life, but do not understand- I am trying to talk about only those" - If we are able to cultivate an attitude to write and read with this consciousness ,then we can experience something special even in our ordinary and mundane daily activities.
I thank the magazines, publishers wo have helped me in sharing such experiences.
Glossary:
1) Ananda Vikatan - Tamil weekly magazine.
2) Manodharma - (Mano means "of heart".Didnt know a equivalent word. so i ams just reproducing it).
Thursday, January 13, 2005
Summa....aise hich..
Commencement of uttarayana , end of Margazhi is here.Bhishma Pitamaha waited till Uttaryana punyakaala to breathe his last it seems.oh, well..all i can think is Chennai is gonna get hotter everyday now.**sigh**
Yday KTV reminded viewers that today is Bhogi by playing "Kattukuyilu manasukuLLe.." from Thalapathi
poda ellam vittu thaLLu
pazhasa ellam suttu thaLLu
pudusa ippo pirandomenru , ennikkoLLada
[ shoot the past, let the bygones be bygones...lets think we were born anew today ]--- am tempted to point out SPB vs Jesudoss in the above song...but let that be--------
Inspite of it, forgot that today is Bhogi.Thanks to NDTV, morning was spent discussing the pontiffs.
Sights of streets flooded with Sugarcanes , Tamarind plants(is that whay they r called?) reminded me that Sankranthi n Boghi are out there .And ofcourse, the smog early morning. Lot of want-Blr-in-Chennaiites mistook it for fog ..heheheh..
anyways, familiar sights are reassuring . An advantage of staying in the place u grew up, i suppose.
Sahara ONE aired Mr.India last Sunday..and to think Mogambo passed away just two days after !!!!!
So this song was going on "Karte hain hum pyaar Mr.India se..". I told Dill, "now dats Kishore Kumar "..Dill said Kishore had died by then. Argued it was indeed him, but Dill wudnt listen. When "Kaate nahin kat the yeh din.." came, again felt it was Kishore..but was kind of not sure..
Monday checked raaga.com n called back Dill triumpantly..all I got was a
"Monday subah subah kaam nahin hai tumhe!!!"
Me thinks, Dill needs to learn to be more graceful in accepting defeat, humph!!!
Whats with this year n pregnant ladies !!!
Today got to know that two gals , i know, gave birth to babies sometime last week.That makes 2 out of the 8 I know, who are pregnant.More wickets to fall in the forthcoming months..3 of them just in June!! Something wrong with chennai water..or some kind of breeding season in June maybe??
Sharath Kumar has a Pongal release "Ayya" - i guess this is the third movie where he is doing the "father-son" dual role.
Only Rajni in his prime did a father's role with quiet dignity in "Nallavanuku nallavan"
When he sings
"chittuku chella chittukku ,
oru siragu muLaithadhu
rathathil vandha sondhangaL, andha uravu murindhadhu "
[ the little bird grew wings..the relations that came thru blood, got broken (cuz of the wings ]
my heart goes out for him...**sniff**
Dont know how to end the blog...so stoooooooooooooooooooooooppping here..
On second thoughts will end with a thalaivar song..
"Raman aandalum, ravanan aandalum enakkoru kavalai illa..."
[ i dont care if Ram rules or Ravan rules..]
Yday KTV reminded viewers that today is Bhogi by playing "Kattukuyilu manasukuLLe.." from Thalapathi
poda ellam vittu thaLLu
pazhasa ellam suttu thaLLu
pudusa ippo pirandomenru , ennikkoLLada
[ shoot the past, let the bygones be bygones...lets think we were born anew today ]--- am tempted to point out SPB vs Jesudoss in the above song...but let that be--------
Inspite of it, forgot that today is Bhogi.Thanks to NDTV, morning was spent discussing the pontiffs.
Sights of streets flooded with Sugarcanes , Tamarind plants(is that whay they r called?) reminded me that Sankranthi n Boghi are out there .And ofcourse, the smog early morning. Lot of want-Blr-in-Chennaiites mistook it for fog ..heheheh..
anyways, familiar sights are reassuring . An advantage of staying in the place u grew up, i suppose.
Sahara ONE aired Mr.India last Sunday..and to think Mogambo passed away just two days after !!!!!
So this song was going on "Karte hain hum pyaar Mr.India se..". I told Dill, "now dats Kishore Kumar "..Dill said Kishore had died by then. Argued it was indeed him, but Dill wudnt listen. When "Kaate nahin kat the yeh din.." came, again felt it was Kishore..but was kind of not sure..
Monday checked raaga.com n called back Dill triumpantly..all I got was a
"Monday subah subah kaam nahin hai tumhe!!!"
Me thinks, Dill needs to learn to be more graceful in accepting defeat, humph!!!
Whats with this year n pregnant ladies !!!
Today got to know that two gals , i know, gave birth to babies sometime last week.That makes 2 out of the 8 I know, who are pregnant.More wickets to fall in the forthcoming months..3 of them just in June!! Something wrong with chennai water..or some kind of breeding season in June maybe??
Sharath Kumar has a Pongal release "Ayya" - i guess this is the third movie where he is doing the "father-son" dual role.
Only Rajni in his prime did a father's role with quiet dignity in "Nallavanuku nallavan"
When he sings
"chittuku chella chittukku ,
oru siragu muLaithadhu
rathathil vandha sondhangaL, andha uravu murindhadhu "
[ the little bird grew wings..the relations that came thru blood, got broken (cuz of the wings ]
my heart goes out for him...**sniff**
Dont know how to end the blog...so stoooooooooooooooooooooooppping here..
On second thoughts will end with a thalaivar song..
"Raman aandalum, ravanan aandalum enakkoru kavalai illa..."
[ i dont care if Ram rules or Ravan rules..]
Friday, December 31, 2004
Growing up with boys..(Part 1)
Cycle all the way..
It was late afternoon .The whole apartment was quite . I was hurrying down the stairs to Food world. At the bottom of the stairs ,Vishal n Vinay almost crashed into me with their cycles.Both were the brothers and stayed in the opposite house.Vishal was 7 n Vinay 5. Vinay flashed a grin at me, turned to Vishal and said urgently "Speed anna..anna pls.."
Vishal got down from his cycle, which was slightly bigger than Vinay's. He violently pulled Vinay's cycle from the stairs, turned it and started pushing the cycle with Vinay in it.Out they went shreiking, yelling across the parking lot. I got scared at their speed and rushed to tell them to slow down. Sure enough, before I could reach them, I saw them crashing into the gate. Luckily, they were not hurt. But the cycle's handlebar was twisted .Vishal straightened it and again they went yodelling.
The scene was so familiar , I forgot to rebuke them for cycling so fast.
So many summers back, on a similar hot afternoon ,Jem was teaching me cycling. I was a fourth grader then and Jem in 9th grade.The cycle was rented by the hour . Jem, after another bout of running behind my cycle , was standing panting , sweat pouring down his body. He was at his wit's end trying to teach me cycling . I was simply not able to balance . I kept doing drunken-driving.
So, Jem the intellectual that he was, suggested me to peddal fast.
"If u cycle fast, u can balance easily" and gave the cyle a push, with all his might. I peddalled fast and lo, the cycle was going on a straight line. I was simply exhilarated at this thrilling experience and pedalled more furiously .WHAM! BANG! I had hit the lamp post.Blood was pouring down my knee and tears welled in my eyes. Jem came near me and said triumpantly "Good.that works. If u ride fast , u are able to balance. Keep that going and u will be able to ride easily soon. And yes, dont forget to keep your eyes open".
And that guys is my eldest brother Jem - our inhouse 'dry wit' expert and ofcourse intellectual.
I went crying to my mom , expecting loads of sympathy.
"How do u expect to learn cycling without hurting urself? Go clean ur Knee and put some Mebusil*[1]"
And that, is my mom - guess by now u know how she is-- she wears that 'am-da-practical-lady' sign on her sleeve.
By the end of the summer, I learnt to ride the bicycle on my own. Then we had two bicyles - one for Jem and one for Ben. Ben is my second eldest brother,two year elder than me.Both of them went to school in cycle, while I went in rickshaw. I yearned to go in cycle too, but my mom decided 5th grade was too young to be going in cycle to school and my supplication was summarily rejected.
Towards the middle of my 5th grade , it was decided that I should start taking the Hindi prachar sabha exams .And so I was also enrolled for hindi tuitions. Jem and Ben were attending hindi classes already. Since Jem was in 10th grade and was busy with board exam preparations and also becuz achiever-he-was-going-to-be, he roamed around with a
'do-not-disturb-me' sign written all over .So it fell upon Ben to ferry me to-n-fro the tuition in his bicycle.
Now Ben had a sisdistic(sister+sadist-sadistic when he sees sister- maybe Yosso can explain better) streak in him.
The first few days of our trip on cycle was without any incidents. Then it started .
One day Ben stopped the cycle on the way suddenly and said "Scout, get down for a moment".
I immediately got down from the carrier, wondering whats wrong!
Ben turned to me and said "Now run along with me "started cycling nonchalantly.
Bewildered, I started running beside the cycle with tears threatening to run down any moment.
After a few minutes, he stopped the cycle and asked me to climb.
When I reported the incident back home , mom shouted at Ben. But Ben protested and looked amused.
And ofcourse, mom shouted at me for being stupid enough to get down n run along, when he asked me to. So I was determined the next time.
After a few days, we had a fight on the way to tuition and Ben asked me to get down again.
I got down from the cycle and told him that I would walk my way .Ben was cycling slowly beside me .After a few mins, he asked me to get on the cycle. I flatly refused.
Ben was getting worried . He knew that If i reached tuition walking, the teacher would give him an earful .(She was a very nice lady and took a maternal interest in all the students).
Ben then told me that if I didnt climb on the cycle , then he would curse that my sandal would break.
I was like "Right..go ahead"
And to my astonishment, my sandal broke .To this day I do not know how this happened.
I was totally put off and before I could cry and create a scene in the streets, Ben made me climb the cycle and took me to tuitions.
Ben also took a relish in speeding up ,before approaching a pot-hole.He would stand on the pedal just when we are crossing the pot-holet. The cycle went DADDAM and my poor bottom went well..err..u know..
Tired of my complaints, my parents got me a cycle next year and put a fullstop to Ben's sisdism.
Today when I confront Ben with the above incidents, he would shake my head, laugh and say "That was for fun deee"..
But I have one more memory of Ben , a far cry from his sisdistic image.
One day tired of riding small bicycles, I was practicing on Ben's cycle , which was the regular size.
Ben came to me and said "Why are u riding with both hands like gals? Practice riding with a single hand"
I refused saying I was scared .
Ben then hld my left hand and running beside the cycle holding my left hand , helping me practice .
After two rounds or so on the street , I was able to ride single-handedly . Before I could show Ben, he had moved on to play with his friends......
Glossary:
1] Mebusil - I amnot sure of its name. But some kind of powder, which we used to put on injuries. Dont see it around nowadays.
It was late afternoon .The whole apartment was quite . I was hurrying down the stairs to Food world. At the bottom of the stairs ,Vishal n Vinay almost crashed into me with their cycles.Both were the brothers and stayed in the opposite house.Vishal was 7 n Vinay 5. Vinay flashed a grin at me, turned to Vishal and said urgently "Speed anna..anna pls.."
Vishal got down from his cycle, which was slightly bigger than Vinay's. He violently pulled Vinay's cycle from the stairs, turned it and started pushing the cycle with Vinay in it.Out they went shreiking, yelling across the parking lot. I got scared at their speed and rushed to tell them to slow down. Sure enough, before I could reach them, I saw them crashing into the gate. Luckily, they were not hurt. But the cycle's handlebar was twisted .Vishal straightened it and again they went yodelling.
The scene was so familiar , I forgot to rebuke them for cycling so fast.
So many summers back, on a similar hot afternoon ,Jem was teaching me cycling. I was a fourth grader then and Jem in 9th grade.The cycle was rented by the hour . Jem, after another bout of running behind my cycle , was standing panting , sweat pouring down his body. He was at his wit's end trying to teach me cycling . I was simply not able to balance . I kept doing drunken-driving.
So, Jem the intellectual that he was, suggested me to peddal fast.
"If u cycle fast, u can balance easily" and gave the cyle a push, with all his might. I peddalled fast and lo, the cycle was going on a straight line. I was simply exhilarated at this thrilling experience and pedalled more furiously .WHAM! BANG! I had hit the lamp post.Blood was pouring down my knee and tears welled in my eyes. Jem came near me and said triumpantly "Good.that works. If u ride fast , u are able to balance. Keep that going and u will be able to ride easily soon. And yes, dont forget to keep your eyes open".
And that guys is my eldest brother Jem - our inhouse 'dry wit' expert and ofcourse intellectual.
I went crying to my mom , expecting loads of sympathy.
"How do u expect to learn cycling without hurting urself? Go clean ur Knee and put some Mebusil*[1]"
And that, is my mom - guess by now u know how she is-- she wears that 'am-da-practical-lady' sign on her sleeve.
By the end of the summer, I learnt to ride the bicycle on my own. Then we had two bicyles - one for Jem and one for Ben. Ben is my second eldest brother,two year elder than me.Both of them went to school in cycle, while I went in rickshaw. I yearned to go in cycle too, but my mom decided 5th grade was too young to be going in cycle to school and my supplication was summarily rejected.
Towards the middle of my 5th grade , it was decided that I should start taking the Hindi prachar sabha exams .And so I was also enrolled for hindi tuitions. Jem and Ben were attending hindi classes already. Since Jem was in 10th grade and was busy with board exam preparations and also becuz achiever-he-was-going-to-be, he roamed around with a
'do-not-disturb-me' sign written all over .So it fell upon Ben to ferry me to-n-fro the tuition in his bicycle.
Now Ben had a sisdistic(sister+sadist-sadistic when he sees sister- maybe Yosso can explain better) streak in him.
The first few days of our trip on cycle was without any incidents. Then it started .
One day Ben stopped the cycle on the way suddenly and said "Scout, get down for a moment".
I immediately got down from the carrier, wondering whats wrong!
Ben turned to me and said "Now run along with me "started cycling nonchalantly.
Bewildered, I started running beside the cycle with tears threatening to run down any moment.
After a few minutes, he stopped the cycle and asked me to climb.
When I reported the incident back home , mom shouted at Ben. But Ben protested and looked amused.
And ofcourse, mom shouted at me for being stupid enough to get down n run along, when he asked me to. So I was determined the next time.
After a few days, we had a fight on the way to tuition and Ben asked me to get down again.
I got down from the cycle and told him that I would walk my way .Ben was cycling slowly beside me .After a few mins, he asked me to get on the cycle. I flatly refused.
Ben was getting worried . He knew that If i reached tuition walking, the teacher would give him an earful .(She was a very nice lady and took a maternal interest in all the students).
Ben then told me that if I didnt climb on the cycle , then he would curse that my sandal would break.
I was like "Right..go ahead"
And to my astonishment, my sandal broke .To this day I do not know how this happened.
I was totally put off and before I could cry and create a scene in the streets, Ben made me climb the cycle and took me to tuitions.
Ben also took a relish in speeding up ,before approaching a pot-hole.He would stand on the pedal just when we are crossing the pot-holet. The cycle went DADDAM and my poor bottom went well..err..u know..
Tired of my complaints, my parents got me a cycle next year and put a fullstop to Ben's sisdism.
Today when I confront Ben with the above incidents, he would shake my head, laugh and say "That was for fun deee"..
But I have one more memory of Ben , a far cry from his sisdistic image.
One day tired of riding small bicycles, I was practicing on Ben's cycle , which was the regular size.
Ben came to me and said "Why are u riding with both hands like gals? Practice riding with a single hand"
I refused saying I was scared .
Ben then hld my left hand and running beside the cycle holding my left hand , helping me practice .
After two rounds or so on the street , I was able to ride single-handedly . Before I could show Ben, he had moved on to play with his friends......
Glossary:
1] Mebusil - I amnot sure of its name. But some kind of powder, which we used to put on injuries. Dont see it around nowadays.
Friday, December 10, 2004
Classic tales from college - Part 1
"The dynamics of inter-being and mono logical imperatives in lady lecturers and
guys : A study in psychic transrelational gender modes".
There is a saying in tamil "Pennukku penne edhiri" -a woman's enemy is a woman herself.
How true!! Mother-in-law, sister-in-law , daughter-in-law, co-sister , the other woman - these are the most
popular in the enemy list.Thanks to Ektha Kapoor and satellite channels, everybody knows them.
But there is another breed, which is more subtle and least acknowledged outside the female community.
They are the lady lecturers in colleges.Guys, I can see u raise ur eyebrows. Ladies, I know u r with me.
Its after the first few months into college or after the first semesteror so. Everything is settled.
Territories drawn, boundaries established, kingdoms **ahem** cornered - in short u r enjoying ur fair share
of attention, when suddenly there appears signs of trouble on the horizon.
Suddenly there is a rise in the number of ppl attending lectures , chits (which have "How do u like Vitalstatistix" of A&o?
written on them)
are no longer passed to u [ hope now guys r clear that i was addressing gals above ] , flirtations in lab are almost
next to nil , nobody even asks ur notes and....u r getting the drift right?
BY the time u zero in on the reason - its the new pretty lady lecturer - its too late. One of the reasons,
we gals pick up this late is ,cuz we never in our wildest dreams could have expected competition from such a quarter.
I have no qualms in admitting that beautiful lady lecturers simply steal the attention from the poor class gals.
These lectures fall into three broad categories
1) mid-twenties
2) mid- thirties
3) mid-forties n above
Mid- Twenties:
These again can be classified into the married ones n not married ones.
These beautiful (oh yes..they are always beautiful..) mid twenties,after being a total failure elsewhere, decides to take
a shot at teaching the local engg college. Conveniently 55 year old Prof.Rangachari goes on a long leave in the middle
of the semester, becuz his wife is not feeling well. The college offers a temp post and Ms.Shettty steps in.
And thats how the saga starts.Even the lone gal in the mechanical engg dept,
throws her hands up in despair..
Suddenly all the boys go berserk,with their love for Fluid dynamics.Everyone attends the class,esp the labs.
The number of doubts raised in conducting the "Reynold's number" calculation experiment ,would have outnumbered the
number of doubts ever raised to Prof.Rangachari, in his 30 year teaching career.
Even after the labs, there is always a crowd 'waiting' to clear their doubts in lab calulations
One day she comes to class with her dupatta pinned neatly. We gals know what it means - a sleevless
salwar and she is trying to hide that - and exchange glances. Our instintcs have been honed over generations u see.
When Ms.Shetty attempt to write on the board, the dupatta fails to do its job leading to some revelation.
The collective sigh from the other sex almost choked the gals that day.
That day at
BOY'S HOSTEL:
Ms.Shetty wore a sleeveless today!(rolling eyes)
GAL'S HOSTEL:
Ms.Shetty wore a sleeveless today!(rolling eyes)
I am sure U know how to interpret the above.
These unmarried breed always wore salwar. They never wore sarees to class.
But the married ones wore sarees more frequently - Fridays, auspiscious days, functions etc etc.
These elevated the art of wearing saree to a new level. It was always neatly pleated, hip, back areas covered deftly.Not
a inch of skin to be seen anywhere. They were very careful with their sarees - wudnt walk too much on the dais that day,
one hand is always adjusting the pallooo and generally know the art of writing on the board.
Also, they shamelessly flaunt their newly acquired marital status - Sindoor, bangles , toe-rings etc etc, leading to
comments "Kuch bhi bolo yaar..shaadi ho gayo tho ladkiyan sahi dikthi hai" and slurping sounds,akin to u-know-who in
that Lambs picture.
Towards the end of the lacklustre semester, the only thing u look forward to is the class picnic.
Alas!That also is marred by the presence of Ms.Shetty. Initially Ms.Shetty refuses to grace the class picnic with her
presence. But the guys are adamant and give her the 'silent treatment' in class.Atlast Ms.Shetty has no choice(!!!)
and relents.Thankfully, the married ones politely refuse to come for the class picnic.Bless their husbands.(They are
always bald and pot bellied. Poor guy has to weather the baleful eyes which stare at him, when he comes to
drop his beautiful wife at college."Lucky bastard!!!!")
At the picnic day, the guys hover around her all day - carrying her bags, getting her water ,food, hanging over
her college picnic anecdotes- in all beaving like a puppy.
At the end of the day everybody is tricked into playing truth/dare.When its Ms.Shetty's turn and she chooses 'truth',
and the guy's pop the question which has been giving them sleepless nights throughout the semester.
"Ma'am..do u have a boyfriend?"
Ms.Shetty immediately laughs and says "Oh..please..somehting else.."
But the guys start chanting "Ma'am..please Ma'am"..
So Ms.Shetty looking all coy and all that says "Well..he is at the US now.We plan to get married when he comes down"
"Would u then resign and join him in the US ma'am?" - the puppies ask.
"Yes ", she says and blushes as if on cue..
This is followed by a mournful silence, while we gals silently spit at the melodrama.
Next semester, u hear that all the guys had been to Ms.Shetty's wedding reception (ofcourse none of the gals went)
and had presented her with a framed foto, taken at the class picnic.U breathe easily now...
Ofcourse , not for long...
guys : A study in psychic transrelational gender modes".
There is a saying in tamil "Pennukku penne edhiri" -a woman's enemy is a woman herself.
How true!! Mother-in-law, sister-in-law , daughter-in-law, co-sister , the other woman - these are the most
popular in the enemy list.Thanks to Ektha Kapoor and satellite channels, everybody knows them.
But there is another breed, which is more subtle and least acknowledged outside the female community.
They are the lady lecturers in colleges.Guys, I can see u raise ur eyebrows. Ladies, I know u r with me.
Its after the first few months into college or after the first semesteror so. Everything is settled.
Territories drawn, boundaries established, kingdoms **ahem** cornered - in short u r enjoying ur fair share
of attention, when suddenly there appears signs of trouble on the horizon.
Suddenly there is a rise in the number of ppl attending lectures , chits (which have "How do u like Vitalstatistix" of A&o?
written on them)
are no longer passed to u [ hope now guys r clear that i was addressing gals above ] , flirtations in lab are almost
next to nil , nobody even asks ur notes and....u r getting the drift right?
BY the time u zero in on the reason - its the new pretty lady lecturer - its too late. One of the reasons,
we gals pick up this late is ,cuz we never in our wildest dreams could have expected competition from such a quarter.
I have no qualms in admitting that beautiful lady lecturers simply steal the attention from the poor class gals.
These lectures fall into three broad categories
1) mid-twenties
2) mid- thirties
3) mid-forties n above
Mid- Twenties:
These again can be classified into the married ones n not married ones.
These beautiful (oh yes..they are always beautiful..) mid twenties,after being a total failure elsewhere, decides to take
a shot at teaching the local engg college. Conveniently 55 year old Prof.Rangachari goes on a long leave in the middle
of the semester, becuz his wife is not feeling well. The college offers a temp post and Ms.Shettty steps in.
And thats how the saga starts.Even the lone gal in the mechanical engg dept,
throws her hands up in despair..
Suddenly all the boys go berserk,with their love for Fluid dynamics.Everyone attends the class,esp the labs.
The number of doubts raised in conducting the "Reynold's number" calculation experiment ,would have outnumbered the
number of doubts ever raised to Prof.Rangachari, in his 30 year teaching career.
Even after the labs, there is always a crowd 'waiting' to clear their doubts in lab calulations
One day she comes to class with her dupatta pinned neatly. We gals know what it means - a sleevless
salwar and she is trying to hide that - and exchange glances. Our instintcs have been honed over generations u see.
When Ms.Shetty attempt to write on the board, the dupatta fails to do its job leading to some revelation.
The collective sigh from the other sex almost choked the gals that day.
That day at
BOY'S HOSTEL:
Ms.Shetty wore a sleeveless today!(rolling eyes)
GAL'S HOSTEL:
Ms.Shetty wore a sleeveless today!(rolling eyes)
I am sure U know how to interpret the above.
These unmarried breed always wore salwar. They never wore sarees to class.
But the married ones wore sarees more frequently - Fridays, auspiscious days, functions etc etc.
These elevated the art of wearing saree to a new level. It was always neatly pleated, hip, back areas covered deftly.Not
a inch of skin to be seen anywhere. They were very careful with their sarees - wudnt walk too much on the dais that day,
one hand is always adjusting the pallooo and generally know the art of writing on the board.
Also, they shamelessly flaunt their newly acquired marital status - Sindoor, bangles , toe-rings etc etc, leading to
comments "Kuch bhi bolo yaar..shaadi ho gayo tho ladkiyan sahi dikthi hai" and slurping sounds,akin to u-know-who in
that Lambs picture.
Towards the end of the lacklustre semester, the only thing u look forward to is the class picnic.
Alas!That also is marred by the presence of Ms.Shetty. Initially Ms.Shetty refuses to grace the class picnic with her
presence. But the guys are adamant and give her the 'silent treatment' in class.Atlast Ms.Shetty has no choice(!!!)
and relents.Thankfully, the married ones politely refuse to come for the class picnic.Bless their husbands.(They are
always bald and pot bellied. Poor guy has to weather the baleful eyes which stare at him, when he comes to
drop his beautiful wife at college."Lucky bastard!!!!")
At the picnic day, the guys hover around her all day - carrying her bags, getting her water ,food, hanging over
her college picnic anecdotes- in all beaving like a puppy.
At the end of the day everybody is tricked into playing truth/dare.When its Ms.Shetty's turn and she chooses 'truth',
and the guy's pop the question which has been giving them sleepless nights throughout the semester.
"Ma'am..do u have a boyfriend?"
Ms.Shetty immediately laughs and says "Oh..please..somehting else.."
But the guys start chanting "Ma'am..please Ma'am"..
So Ms.Shetty looking all coy and all that says "Well..he is at the US now.We plan to get married when he comes down"
"Would u then resign and join him in the US ma'am?" - the puppies ask.
"Yes ", she says and blushes as if on cue..
This is followed by a mournful silence, while we gals silently spit at the melodrama.
Next semester, u hear that all the guys had been to Ms.Shetty's wedding reception (ofcourse none of the gals went)
and had presented her with a framed foto, taken at the class picnic.U breathe easily now...
Ofcourse , not for long...
Thursday, December 09, 2004
The story behind Karuppan..
"Happy familes are all alike; every unhappy family is unhappy in its own way"
I guess that explains it all. "Karuppan" is just another story of such a family. No, Its not a true story and is not mine either.
But loosely based on my friend and some similar incidents. The story itself was written a year ago . Those from Sulekha would have read it in Sulekha coffeehouse's creative section.
This friend comes from a similar broken home. She is well educated, has a good career and a very very interesting person.But she is an emotional wreck.Highly insecure when it comes to relations. I have seen her get into one affair after another, in search for that one guy who would love her immensely.She would easily fall for any guy,who is slightly affectionate.Ofcourse, the realisation comes later. Its not that all the guys were bad.There have been good guys.The relationship starts smoothly. Soon she becomes obsessive, jealous , demanding, paranoid and INSECURE. All affairs are doomed from the start.
And she knows what she is like. But she just cannot help herself.
Its been more than two years, since I last her. But I keep hearing about her from friends. And no news is good news.
Whenever I think about her two incidents comes to my mind.
One is where we are discussing "Gone with the wind". And I was comparing Darcy n Rhett Butler. 'Who was the better lover?'
I was all for Darcy.But she liked Rhett Butler. She spoke for close to 20 mins about him. I dont recall what she said either. But I remember the tone,intonation, her excited demeanor , her involvement when she talked about him. Never seen anybody speak that way.
Another incident is , again i do not recollect the topic, but think it was something to do with whom ones' sympathies should lie in case of a broken relation or some such complicated thing. I was stating that the person who hurts is the one to be blamed, even if he/she is also getting hurt in that process.
For which she said "When someone(even a stranger) accidentaly bangs their head against the ceiling bar, dont u also feel the pain when they wince ? Its almost visceral. I feel the urge to immediately go and rub their head for them. I just react to their pain. I cannot distinguish whether the reason behind the pain is righteous or not and I do not care also.."
I think the above clealry describes Anu's character. She is the only person who can relate to her father's suffering. Others are more concerned about the results of his suffering and react only to it , including her mother. Anu knows her mother can take care of herself, but the same is not true with her father. And she resents that her mother does not do anything to reach out to her father. Even though her mother is also suffering,she does not show it and hence she is not able to relate to it.For her, her mother is just strong.
Anu's sympathies always lie with the more vulnerable of the two and so she reacts to her father more.
Once upon a time, I used to have some kind of twisted notion that people who suffer n have some bad experiences are more mature and can handle things with equanimity.And that those from a happy background cannot relate to other's pain. But I have been so wrong. I know a couple of friends , who are from a typical happy family - mature parents ,good economic background and everything else that keeps a bad childhood at bay. These kids are wonderful persons today, balanced and matured with great insight into people and relations.
Ok..Enuff written. This topic is making me depressed.A fine life wasted..
Thank u all for the compliments.
Nithya,
Getting publisehd in Ananda Vikatan,Kalki used to be a benchmark for the writer's ability. But thats old story. But I can perfectly relate to the joy of readding stories in AV..thanks :-))
Asuph,
Now, now modesty is another virtue of the ghati's?
What do we do without our dose of Mrs.Nene?
Cheti,
Ur comment about reasons behind the dead marraige was too apt.
CEC,
Agree with u when u say the age of Anu is kind of vague at various points of the story. When I was writing the story, I tried to point out her age.But I was unable to fit it and it was getting in the way of narration. So I just mentioned towards the end that she was in college first year and that Karuppan's been with them for more than 10 years.
So the narrative is from when she is around 8 years old to around 18. As for her thoughts being quite mature, I might have put my observations as hers. But guess the person involved always has a skewed understanding of his/her position, but refuses to acknowledge it.
As for the comparison with Harper Lee., "You are too kind " :-))
SSM,
Thank u for the detailed comment. I confess i am a poor at commenting myself. Esp, if its a long winded one, feel lazy to type!!!!!!
But I know comments are invaluable to the writer.
I have never had a pet dog or any kind of pet for that matter. And I am a vegetarian.Talked to a couple of non-veggies about mutton n stuff. So, I a happy to see the flavor conveyed.
Guess after I got engaged, i been having writer's block :-) So have not written anything (Or maybe I am run out of things to write about).
U liked the template..**grin**..spent a good half an hour , trying out things. I wanted somethin with a light , non-intrusive background. LIked one, but DSS alreday had it. So went for this..nothing to do with waterbody though.. stay near beach..have gone once in the past 5 months..:((
Ardra ,buck, silk, sapna,anon,imp, Fizo (can i even hope to write a series like 'what lies beneath'!!!!!), funny cide, Saloni..thank u alll
And ofcourse Ananth :-)
Also, I am sorry for such a late reponse. Had a trianing programme at another location for the past couple of days. So couldnt check the comments. Maan! I am overwhelmes..looks like I have to think twice before I produce another piece..:-)
I guess that explains it all. "Karuppan" is just another story of such a family. No, Its not a true story and is not mine either.
But loosely based on my friend and some similar incidents. The story itself was written a year ago . Those from Sulekha would have read it in Sulekha coffeehouse's creative section.
This friend comes from a similar broken home. She is well educated, has a good career and a very very interesting person.But she is an emotional wreck.Highly insecure when it comes to relations. I have seen her get into one affair after another, in search for that one guy who would love her immensely.She would easily fall for any guy,who is slightly affectionate.Ofcourse, the realisation comes later. Its not that all the guys were bad.There have been good guys.The relationship starts smoothly. Soon she becomes obsessive, jealous , demanding, paranoid and INSECURE. All affairs are doomed from the start.
And she knows what she is like. But she just cannot help herself.
Its been more than two years, since I last her. But I keep hearing about her from friends. And no news is good news.
Whenever I think about her two incidents comes to my mind.
One is where we are discussing "Gone with the wind". And I was comparing Darcy n Rhett Butler. 'Who was the better lover?'
I was all for Darcy.But she liked Rhett Butler. She spoke for close to 20 mins about him. I dont recall what she said either. But I remember the tone,intonation, her excited demeanor , her involvement when she talked about him. Never seen anybody speak that way.
Another incident is , again i do not recollect the topic, but think it was something to do with whom ones' sympathies should lie in case of a broken relation or some such complicated thing. I was stating that the person who hurts is the one to be blamed, even if he/she is also getting hurt in that process.
For which she said "When someone(even a stranger) accidentaly bangs their head against the ceiling bar, dont u also feel the pain when they wince ? Its almost visceral. I feel the urge to immediately go and rub their head for them. I just react to their pain. I cannot distinguish whether the reason behind the pain is righteous or not and I do not care also.."
I think the above clealry describes Anu's character. She is the only person who can relate to her father's suffering. Others are more concerned about the results of his suffering and react only to it , including her mother. Anu knows her mother can take care of herself, but the same is not true with her father. And she resents that her mother does not do anything to reach out to her father. Even though her mother is also suffering,she does not show it and hence she is not able to relate to it.For her, her mother is just strong.
Anu's sympathies always lie with the more vulnerable of the two and so she reacts to her father more.
Once upon a time, I used to have some kind of twisted notion that people who suffer n have some bad experiences are more mature and can handle things with equanimity.And that those from a happy background cannot relate to other's pain. But I have been so wrong. I know a couple of friends , who are from a typical happy family - mature parents ,good economic background and everything else that keeps a bad childhood at bay. These kids are wonderful persons today, balanced and matured with great insight into people and relations.
Ok..Enuff written. This topic is making me depressed.A fine life wasted..
Thank u all for the compliments.
Nithya,
Getting publisehd in Ananda Vikatan,Kalki used to be a benchmark for the writer's ability. But thats old story. But I can perfectly relate to the joy of readding stories in AV..thanks :-))
Asuph,
Now, now modesty is another virtue of the ghati's?
What do we do without our dose of Mrs.Nene?
Cheti,
Ur comment about reasons behind the dead marraige was too apt.
CEC,
Agree with u when u say the age of Anu is kind of vague at various points of the story. When I was writing the story, I tried to point out her age.But I was unable to fit it and it was getting in the way of narration. So I just mentioned towards the end that she was in college first year and that Karuppan's been with them for more than 10 years.
So the narrative is from when she is around 8 years old to around 18. As for her thoughts being quite mature, I might have put my observations as hers. But guess the person involved always has a skewed understanding of his/her position, but refuses to acknowledge it.
As for the comparison with Harper Lee., "You are too kind " :-))
SSM,
Thank u for the detailed comment. I confess i am a poor at commenting myself. Esp, if its a long winded one, feel lazy to type!!!!!!
But I know comments are invaluable to the writer.
I have never had a pet dog or any kind of pet for that matter. And I am a vegetarian.Talked to a couple of non-veggies about mutton n stuff. So, I a happy to see the flavor conveyed.
Guess after I got engaged, i been having writer's block :-) So have not written anything (Or maybe I am run out of things to write about).
U liked the template..**grin**..spent a good half an hour , trying out things. I wanted somethin with a light , non-intrusive background. LIked one, but DSS alreday had it. So went for this..nothing to do with waterbody though.. stay near beach..have gone once in the past 5 months..:((
Ardra ,buck, silk, sapna,anon,imp, Fizo (can i even hope to write a series like 'what lies beneath'!!!!!), funny cide, Saloni..thank u alll
And ofcourse Ananth :-)
Also, I am sorry for such a late reponse. Had a trianing programme at another location for the past couple of days. So couldnt check the comments. Maan! I am overwhelmes..looks like I have to think twice before I produce another piece..:-)
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